In 1987, Jacqueline Bisset plays the part of Lila Montagne in the show The 1st Annual American Comedy Awards.
In 1999, Jacqueline Bisset stars as Pamela in the The 4 Finger Club 2.
In 1997, she takes the role of Kay Kirby in the production About Us: The Dignity of Children.
In 2001, she plays Christine Adams in the video All Pissed Off 11.
In 1996, Herself/Interviewee in the movie 2 Mayhem 3.
In 1954, Jacqueline Bisset plays Liz Cassidy in the show 20000 Leagues Under the Sea.
For the 1994 show 6 Patu'ah, 21 Sagur, Jacqueline Bisset plays the part of Paula Clarkson.
For the 2006 production of Achi-wa ssipak, she is cast in the role of Mary.
In 1992, she takes the role of Anna Karenina in the release of Adelaide.
For the 1991 show Affaire Norman William, L', Jacqueline Bisset is cast in the role of Christine Van Buren.
She plays Herself in the 1994 movie Ai no shinsekai.
She takes the role of Yvonne Firmin in the 1917 production of The American Heiress.
For the 1957 movie Amour descend du ciel, L', she stars as Angie.
For the 1984 movie Anak ni Waray, anak ni Biday, Jacqueline Bisset is cast in the role of Frédérique.
In 2004, she plays the part of Sheila Hammond in the release of Anderer Herbst.
In 1961, Sarah in the movie Angel Baby.
For the 1997 release of Ani Hamiragel Shelha, she takes the role of Anna Carla Dosio.
For the 1970 feature Anonimo veneziano, Cathy.
In 1943, Jacqueline Bisset plays the part of Pauline Stone, Domino's mother in the release of Antes de entrar, dejen salir.
For the 1926 feature Arirang, Frances.
Jacqueline Bisset is cast in the role of Barbara Thomas in the 1995 feature Ashk o labkhand.
For the 2002 video Bad Boys Need It, she plays Herself.
In 2006, Jacqueline Bisset stars as Josephine de Beauharnais in the show The Bad Food Guide.
Jacqueline Bisset plays Lady Lewis in the 2004 release Barefoot in Prague: Tickled Pink.
For the 2005 video release of Barely 18 23, Jacqueline Bisset plays the part of Norma MacIver.
In 1958, she takes the role of Geraldine in the show BBC Sunday Night Theatre: A Midsummer Night's Dream.
She takes the role of Nell in the 1953 show BBC Sunday Night Theatre: The Road.
She plays Herself/Julie in the 1993 video release of Bend Over Brazilian Babes.
For the 2007 show Bezaubernde Marie, Marisa Granger.
Jacqueline Bisset plays Ellen in the 1993 video Black Buttnicks.
Jacqueline Bisset plays Holly McPhee in the 1997 Black Cum-on Lines 2.
For the 1997 Black Gang Bang 6, she plays the part of Liz Hamilton.
She stars as Herself in the 1966 show Blauwe olifant, De.
For the 2001 movie Avatars, Jacqueline Bisset is cast in the role of Countess Andrenyi.
In 1931, Jacqueline Bisset plays Helen Lyne in the movie Azad Veer.
In 2010, Jacqueline Bisset plays the part of Janet Whistler in the movie Baltimore, or The Steadfast Tin Soldier and the Vampire.
Jacqueline Bisset plays Tatiana/Christine in the 1930 feature Banda del Zorro, La.
For the 2001 feature Bandits d'amour, she is cast in the role of Rose Bean.
In 1957, Jacqueline Bisset plays Herself in the feature The Barrier.
In 1987, she plays the part of Clare Lipkin in the production of Barrios altos.
In 1908, Jacqueline Bisset's character is Maureen Doherty in the production of The Baseball Fan.
For the 2004 feature Bazuka, Herself - Co-Presenter: Best Foreign Language Film.
She is cast in the role of Katherine in the 1965 movie Beach Ball.
For the 1968 production of Bekstva, she plays Candy.
In 1904, Jacqueline Bisset plays the part of Laura in the release of The Bench in the Park.
For the 1996 release of Beyond Survival, Jacqueline Bisset plays the part of Host.
For the 1982 release of Big Meat Eater, Jacqueline Bisset plays Helen Mallory.
For the 2009 feature Blade to the Heat, she is cast in the role of Isabella Colbran.
For the 1991 production of Blue Tornado, Jacqueline Bisset stars as Claudia Lirones.
For the 1963 feature Bocken i paradiset, Jacqueline Bisset stars as Talking head/soundbites (segments 2 & 3).
For the 1987 release of Brascuba, she is cast in the role of Louise.
For the 1973 release of Brazdat, Jacqueline Bisset is cast in the role of Pandora.
She is cast in the role of Gwen Meighen in the 2007 show Breve luz de noche.
Herself - Co-Presenter: Best Foreign Language Film in the 1959 feature Broth of a Boy.
For the 1996 video Bruno the Kid: The Animated Movie, Jacqueline Bisset plays the part of Jenny.
For the 2008 tv series The Cheetah Girls 3: Indian Adventure!, she takes the role of Sheila Gaines.
In 1997, Jacqueline Bisset plays Jane Lambert in the show Caminero.
In 1936, she plays Gail Berke in the movie Captain January.
In 1928, she plays the part of Nicole Chantrelle in the feature Cash Customers.
In 2006, she stars as Barbara Hallsworth in the movie Causa noble, Una.
Jacqueline Bisset's character is Vickie in the 1963 production of Chaduvukunna Ammayilu.
Jacqueline Bisset plays Jacqueline Bouvier Kennedy Onassis in the 1933 show Chikara to onna no yo no naka.
She takes the role of Herself in the 1929 release of Chirage Kohistan.
In 1990, she stars as Anna Crawley in the release of The Closer.
For the 1952 production of Corny Casanovas, she plays Paola Franco.
She plays the part of Carol Rosen in the 2006 video release of Demi Does Anal.
In 1921, she plays the part of Jackie in the movie Crazy Idea, A.
She plays Herself in the 1932 movie Drifting.
Jacqueline Bisset plays Herself in the 1972 production Family Flight.
For the 2005 Fem Dolce, she stars as Maggie.
For the 1974 production Flyttningen, Jacqueline Bisset is cast in the role of Herself.
She plays Herself in the 1915 movie Fioraia di Como, La.
For the 1933 show Flaming Gold, she is cast in the role of Anna.
In 1961, she plays Sarah in the release of Frederic Chopin.
In 2005, Jacqueline Bisset plays Herself in the release of Grazie, Berlusconi!.
Jacqueline Bisset: Who Dat?!
Filed under: Movies, Wacky and WeirdTMZ.com: One of TMZ's photographers didn't 'memba who actress Jacqueline Bisset was on Monday, when she was spotted outside Madeo in Beverly Hills. For the record, she was in films like "The Deep," "Class," and, most r on 2008-03-11 00:47:22
Jacqueline Bisset: Who Dat?!
Filed under: Movies, Wacky and WeirdTMZ.com: One of TMZ's photographers didn't 'memba who actress Jacqueline Bisset was on Monday, when she was spotted outside Madeo in Beverly Hills. For the record, she was in films like "The Deep," "Class," and, most r on 2008-02-29 12:47:32
Jacqueline Bisset: Who Dat?!
Filed under: Movies, Wacky and WeirdTMZ.com: One of TMZ's photographers didn't 'memba who actress Jacqueline Bisset was on Monday, when she was spotted outside Madeo in Beverly Hills. For the record, she was in films like "The Deep," "Class," and, most r on 2008-02-19 12:46:50
Jacqueline Bisset: 'Memba Her?!
Filed under: Movies, Beauty, 'Memba Them?!TMZ.com: In the '70s and '80s, Jacqueline Bisset became a sex symbol for her work in films like "The Deep" and "Class." Guess what she looks like now!... Read more on 2008-02-02 00:46:17
Jacqueline Bisset: 'Memba Her?!
Filed under: Movies, BeautyTMZ.com: In the '70s and '80s, Jacqueline Bisset became a sex symbol for her work in films like "The Deep" and "Class." Guess what she looks like now!... Read more on 2008-01-20 12:46:00
http://www.smh.com.au/news/people/the-beauty-of-yin-and-yang/2005/12/31/1135
915729185.html
The beauty of yin and yang
January 2, 2006
When Jen and Angie cross stars, sex goddess meets TV sweetheart, writes
Phillip McCarthy. But you'd be surprised how much they have in common.
Angelina Jolie and Jennifer Aniston'>Jennifer Aniston ... these superstars are more alike than
you think.
Is it the fiery sex goddess of the big screen versus television's favourite
sweetheart? Or with Angie the bold, and Jen the beloved, has Hollywood
simply found its perfect line-up of contrasting celeb personas?
Angelina Jolie and Jennifer Aniston'>Jennifer Aniston are successful, gorgeous and have
serious clout in Tinseltown. They created legendary alter egos - Jolie's
Lara Croft meets Aniston's Rachel Green, one famous for packing a punch, the
other for her great hair. But, in terms of profile and image, AJ and JA
occupy distinctly different ends of the personality spectrum. Reduced to its
basics and how they are perceived, it's "naughty" and "nice".
But there are some striking similarities between the two women. They're
quick, decisive and, clearly, not prone to public histrionics. And if they
ever got together they'd have a lot to talk about beyond you-know-who.
All in the family: Take background. Both have famous Hollywood fathers,
actors, who reflect their daughters' respective strengths in movies or
television. Jolie's dad is movie actor Jon Voight (Deliverance, Midnight
Cowboy) while Aniston's father, John Aniston, has made a career in daytime
soaps such as Search For Tomorrow and Days Of Our Lives. Those soaps might
not have the cachet of an art movie, but they pay well.
And that's not all. Jolie's parents divorced when she was three; Aniston was
nine when her parents split.
More interesting still is that they both have a "problem parent". Jolie is
estranged from Voight and avoided using his name at the start of her career
(Jolie is the French word for pretty and Jolie's mum, of whom she talks in
affectionate terms, is partly French). There was a reconciliation with
Voight about five years ago and he played Lara Croft's father in the first
Lara Croft movie, Lara Croft: Tomb Raider. But the freeze was on again when
he spoke of his concerns for his daughter. It happened around the time Jolie
was adopting her son, Maddox, from an orphanage in Cambodia and, as she
later recalled in an interview with S, she was "furious". "People can have
strange opinions about me, even my father, it doesn't matter much to me,"
she said. "But I couldn't believe the timing. I needed the approval of
authorities in two countries to [approve my son's adoption and] bring him
into this country. What he said could have ruined everything."
Aniston's problem parent, her mother, sometime actor/model Nancy Dow, upset
her daughter by writing a tell-all book about Aniston's childhood after
Friends and her character, Rachel Green, made her famous. They didn't talk
to each other for nine years and Dow wasn't invited to Aniston's July 2000
marriage to Brad Pitt. In the wake of the split with Pitt, Aniston disclosed
that she and her mum were talking again. She told S last month that being an
innocent bystander at her parents' own bitter divorce had helped her put her
split in perspective. Her split with Pitt has been, from all appearances,
extremely civilised.
Splitting up: On that split, Aniston told a television interviewer that she
and her sexy ex still talked and their break up had been "peaceful". And
despite an initial "hurt" period, she has refused to dish any dirt on Pitt.
"I'm not embarrassed by my divorce," she says. "It happened, you grow, you
go on. There's a freedom in a weird way. You can just say, 'Here I am. This
is it'. My parents divorced when I was nine and it was bitter. So I thank
them for lessons in what not to do. I watched my mother become very bitter
and very angry and never let it go of it. She wasted a lot of time and
energy in the second half of her life. And I'm not doing that."
How does Jolie rate on the "never speak ill of your ex" scale? She's always
spoken fondly of British actor Jonny Lee Miller, her husband for three years
from 1996. She was initially acerbic about Billy Bob Thornton after they
divorced in 2003 - that one too went for three years and was famous for its
gothic tone of tattoos and capsules of blood - but motherhood mellowed her:
"We just weren't destined to be together."
TInseltown cred: Insider status always helps in Hollywood and a high-profile
godparent or two is like an all-access pass backstage. Both Jolie and
Aniston have some impressive names in that department.
Jolie has two star-certified godparents. Her godmother was the
British-French bombshell of the 1960s and 1970s, Jacqueline Bisset and, as a
role model for sultry screen queen status when it's your turn, you couldn't
do much better. Bisset and Voight had worked together. Jolie's godfather was
another colleague of her dad's, actor/director Maximillian Schell.
Aniston's godfather is Telly Savalas, the chrome-domed Theo Kojak of the
wildly successful 1980s and early 1990s detective series Kojak, and a good
man to have on your side. Savalas, like John Aniston, is of Greek ancestry
(John Aniston was born John Anastassakis in Crete).
Love and war: Jolie is 30 and Aniston is 36 - meaning, of course, that Pitt,
at 40, is beginning to show evidence of younger woman syndrome - but Jolie
has been a lot busier at the altar than Aniston despite that six-year
deficit. Her two previous show biz husbands went by triple-barrelled names:
Jonny Lee Miller and Billy Bob Thornton. At least Brad Pitt is easier to
say.
Is it worth pointing out that both women met their current love interests on
a film they were making? Jolie met Pitt in 2004 while making Mr & Mrs Smith
with him. Aniston met Vince Vaughn last year making a film called, of all
things, The Break Up. Oh, yes, and to go back a bit further Jolie met
Thornton on the set of Pushing Tin in 1991. Clearly, pillow talk and talking
shop are OK.
Both women are drawn to guys who can be colleagues as well as romantic leads
at home. Between them they've had three husbands with a 100 per cent score
for actors. Not that they are talking much about them.
The previously disarmingly candid Jolie didn't want to get onto subjects
such as love and life while promoting Mr & Mrs Smith last year.
And last month, promoting two of her four forthcoming films, Derailed and
Rumor Has It, Aniston didn't mention either Vaughn or Pitt except obliquely.
But she did say it had taken her several months of being solo before she
felt like going out on a date with anyone.
"It took me the best part of a year to go on a date," she says. "It was a
slow process deciding to get out there again. But you do eventually find
yourself feeling that maybe it's an option again, and it just sort of
happens." No mention of who the date was with.
Don't forget the kids: "Children" has been a recurring theme in the saga of
Brad and Jen and Angie.
Jolie's decision to allow Pitt to co-adopt the two children she adopted as a
single mother is the most formal evidence that the relationship is more than
fling. Although both children now have the last name Pitt-Jolie which
certainly acknowledges her prime role.
And one of the most widely rumoured reason for the rift between Pitt and
Aniston, when they were Hollywood's most adorable couple, was that he wanted
to start a family and she was ambivalent about it. It came to a head, so the
story goes, when Friends ended. He wanted kids but she wanted a shot at
getting her film career up and running first.
Certainly Pitt's paternal hormones-in-waiting seemed to pop every time he
encountered a small person aged five or less.
When he landed on the set of Mr & Mrs Smith with Jolie - as always,
accompanied by her young Cambodian-born son, Maddox - it might well have
said to him: instant family. At the time her second adoption, of an
Ethiopian-born orphan, Zahara, was under way.
And the winner is . . . Aniston and Jolie have pretty full mantelpieces and
trophy cases; they've stacked up awards big time. Aniston has a Golden Globe
and an Emmy for her work on Friends. While Jolie has three Golden Globes,
she doesn't have an Emmy. But she does have an Oscar: for her harrowing 1999
portrayal in Girl, Interrupted.
They both do well in awards that fans or readers play a part in deciding.
This year Aniston got American GQ magazine's inaugural woman of the year
award, mostly for her grace under pressure over her difficult year.
But then, last year, rival men's monthly Esquire anointed Jolie "sexiest
woman alive".
She already has a slew of acclamations on the sex-appeal front.
Big US video chain Blockbuster came up with a survey of men a year or two
ago about who they would most like to spend New Year's Eve with. The biggest
group, 35 per cent, voted for Jolie. These days, with Brad Pitt at home, she
probably finds those sort of awards ranks about the equivalent of a wet
T-shirt contest.
If Aniston was ever truly ambivalent about how to balance parenthood and
career, she seems a bit closer to finding it now.
Last month, with four movies set to hit the cinemas and more film projects
in the offing, she told S: "I hope to be on the road to having a family
within a year or so."
Maybe she's concluded she can do both.
Source: The Sun-Herald
http://jam.canoe.ca/Movies/Artists/K/Knightley_Keira/2005/10/09/1255234.html
Knightley is one busy lady these days
By ANN MARIE MCQUEEN -- Ottawa Sun
BEVERLY HILLS -- Keira Knightley is one in-demand 20-year-old.
The British actress was up all night shooting scenes for the second and
third Pirates of the Caribbean instalments, with just enough time for a
shower before meeting the press to talk about her newest movie, Domino.
With two cans of Red Bull in hand, the fetching and cheerful Knightley
describes her exhaustion while looking so fresh-faced one would think she
was in bed sleeping -- and not up swashbuckling -- all night.
"I was doing swordfighting and getting so tired I thought, 'I'm actually
going to wreck myself,' and didn't hurt myself at all," she said. "But then
when I got to the hotel this morning at 7, I fell out of the door of the car
and cracked my knee on the side of the pavement."
Knightley's career took off after she played a soccer player in 2002's Bend
It Like Beckham. In addition to the first Pirates, she went on to shoot
another half-dozen movies, including King Arthur, Love, Actually and, most
recently, The Jacket.
She had just four days off between her turn as Jane Austen heroine Elizabeth
Bennett in Pride and Prejudice and Domino. The 43-day shoot was scheduled
specifically so Knightley could squeeze it in.
Domino, which opens Friday, is inspired by real-life model-turned-bounty
hunter Domino Harvey. The 35-year-old daughter of famed British actor
Laurence Harvey died of an overdose in June while out on bail and under
house arrest pending trial on drug dealing charges.
Because she had so little time to prepare, Knightley was left wondering just
how she would morph into tough-as-nails Domino from refined and sensible
Bennett. Knightley said she was "freaking out" every time director Tony
Scott would call her on Pride to talk about Domino, finding herself for the
first time unable to wrap her head around the character.
"Then I was passing a hairdresser's and I thought, 'Right, this is how I'm
going to do it, I'm going to cut Lizzie Bennett out of my hair,' " she said.
Studied tapes
She talked to Harvey twice on the phone before she died, and studied taped
interviews and pictures. But lack of prep time and the film's fictional
elements meant Knightley framed Domino largely on her own.
"Actually, Tony said right at the beginning 'just make up your own
character,' so actually I based it on my best mate Bonnie because she was
around all the time when I was doing the other film and I could look at
her."
Knightley did cut her hair -- though she was sporting long, straight
extensions by the time it came to promote both movies -- and left Bennett
behind, big-time. Body-baring outfits, dark eye makeup and a permanent sneer
also helped her embody the gun-toting Harvey.
As Scott makes clear from words which flash across the screen during the
opening moments of Domino -- "based on a true story ... kind of" -- he has
not made a biopic.
After rejecting two more linear, realistic s as "boring," Scott tapped
screenwriter Richard Kelly (Donnie Darko) who conjured up the frenetic tale
while sitting in the U.S. Department of Motor Vehicles. A real-life
attendant named Lateesha (played by zaftig comedian Mo'Nique Imes-Jackson)
was his inspiration for the movie's outrageous plot-turning character.
The unlikely caper was then shot in Scott's signature jumpy, multiple-camera
format, featuring a large and bizarre cast. Mickey Rourke and newcomer Edgar
Ramirez round out Knightley's bounty team while dozens of real 18th Street
gang members stepped in for a tense stand-off scene in the movie;
Christopher Walken, Dabney Coleman, Lucy Liu and Mena Suvari all have small
but memorable parts.
Reality show hosts
To take Domino's fictionalized reality a step further, Beverly Hills 90210
graduates Ian Ziering and Brian Austin Green turn up to play themselves as
hosts of a reality show named Bounty Squad.
Kelly, a fan of 90210, insisted the pair stay in the movie even when New
Line execs weren't convinced they were necessary.
Ziering jokes that when he got the , he asked his agent "How much am I
going to have to pay them to be in this movie?"
"It was the most random thing that could have happened, but it was something
I hoped for," says Green. "I figured if Tarantino was a fan of Travolta,
there's gotta be somebody that's doing well in this business that actually
liked 90210."
Though Harvey isn't here to comment, several reports from unnamed friends
since her death suggest she wasn't happy with the movie's liberties.
Scott scoffs at reports she felt sold out by the film, angry particularly at
its depiction of her as heterosexual. In life she had relationships with
women; on screen Knightley-as-Harvey goes topless for a steamy desert sex
scene with Venezuelan co-star Edgar Ramirez.
Domino doesn't touch on her drug problems or early death; Scott says again,
the movie is based on real people but is almost entirely fiction.
Scott says Harvey never saw the finished film but watched many sequences and
was there on the final day of shooting. "It's been misreported by the press,
saying she didn't like it and she's pissed off that we didn't represent it
in the right way," says Scott. "And everything she saw she loved."
Harvey also wrote and sang the track Heads You Lose, Tails You Die, which
plays at the beginning and end at the film. "That was her motto for
life,"said Scott.
As for rumours he shifted the film's opening date to capitalize on Harvey's
death, Scott says he only moved it up avoid competing with Knightley's Pride
release Nov. 18.
Domino Harvey's father became a major star after appearing in 1959's Room at
the Top and 1962's The Manchurian Candidate, but died when she was four. Her
mother Pauline Stone, a Vogue model played by Jacqueline Bisset in the
movie, later married Hard Rock Cafe chain owner Peter Morton.
Harvey was expelled from four different schools, dabbling in modelling,
acting, being a ranch hand and a firefighter before she found her niche:
Hunting down thieves, drug dealers and murderers for a Los Angeles bail bond
agency.
Scott says he became like a surrogate father to Harvey during a friendship
which started 12 years ago when he visited her at home on one of her many
bounty-hunting breaks. "Her mom wouldn't let her live in the house with guns
so she lived in an apartment above the garage. The apartment had AK-47s and
fatigues and Soldier of Fortune magazines," Scott recalled.
Like others in her circle, Scott worried about Harvey as she struggled with
addictions, in and out of rehab before her death.
"She lived a hard life," he said. "I wasn't surprised, but it still hurts."
"Thanatos" wrote in message
news:atropos-5602CE.21455318032008@news.giganews.com...
> In article
> ,
> TranslucentAmoebae wrote:
possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/
responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/
> difference?
He can't tell you...too drunk.
http://breakingnews.iol.ie/entertainment/story.asp?j=11809314&p=yy8x9368&n=1
1809428
Clooney unveils new film at Venice festival
01/09/2005 - 08:16:52
Actor George Clooney was expected to bring a touch of Hollywood glamour to
the Venice Film Festival today.
The Hollywood star has made his second film as director, Good Night. And,
Good Luck.
Shot in black-and white, the movie chronicles a broadcast journalist's
battle against the communist witch-hunt of 1950s America.
It features the real-life conflict between TV news pioneer Edward R Murrow,
played by David Strathairn, and Senator Joseph McCarthy.
As well as directing and co-writing the film, which contains newsreel
footage of McCarthy himself, former ER star Clooney also stars as Murrow's
producer Fred Friendly.
Robert Downey Jr, Patricia Clarkson and Jeff Daniels also star in the movie,
which Clooney has been desperate to make for years.
Oceans Twelve star Clooney's father was a news anchor for 30 years and
Murrow was considered a hero by the family.
Clooney, 44, made his directorial debut in 2002 with Confessions of a
Dangerous Mind, an adaptation of the memoirs of game show impresario Chuck
Barris.
The former ER star has also directed Uned, a TV series about young
actors trying to hit the big time in Hollywood.
Golden Globe-winning actor Clooney's new film is a serious contender for the
Golden Lion award.
The second day of the Venice festival will also see Spike Lee and Gladiator'
s Ridley Scott attending for All the Invisible Children, a feature film
about children in different parts of the world.
The film contains seven sections, each from different directors aiming to
raise awareness of children who are invisible to the adult world.
The Festival opened yesterday with Seven Swords, a martial arts epic set
during the Ching dynasty, directed by Tsui Hark, one of the biggest names in
martial arts films.
British actress Jacqueline Bisset also made an appearance for the launch of
her new movie The Fine Art of Love (Mine Ha Ha).
Gwyneth Paltrow, Russell Crowe and Sienna Miller are being tipped to make an
appearance during the world's oldest film festival, which features eleven
days of screenings.
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